FAB REVIEW: D’banj’s Album “D’Kings Men” Reviewed on The New York Times

The artist formerly known as the Koko Master a.k.a D’banj a.k.a Bangalee is currently enjoying the support of the media at home and abroad in a bid to sustain his positioning in the African Music industry. As you may know, D’banjs’ name readily comes to mind when you attempt to name the number one artist from Africa and he intends to keep it that way.

The Nigerian pop star’s latest album D’King’s Men was reviewed on The New York Times on Friday 13th September 2013.

See below:

D’Banj is one of the great African pop stars of the past decade, a charming singer but, more important, a savvy showman. For years, this Nigerian singer was at the center of the Mo’ Hits Records stable, but now he’s struck out on his own with a new label and the compilation “D’Banj Presents DKM (D’ King’s Men)” (DB/G.O.O.D./Sony).

It’s an alluring contemporary pop album with an emphasis on king-size dance music, like the militarily efficient “Don’t Tell Me Nonsense” and the flash of last year’s excellent smash hit “Oliver Twist.” D’Banj is also a savvy synthesizer of the old and new Africa, as on “Nous les Meilleurs (We the Best),” a duet with the Congolese singer Fally Ipupa. But really, D’Banj has his eye on the world; he’s signed to Kanye West’s G.O.O.D. Music imprint, and the lovely “Scape Goat (The Fix)” features what’s certainly the most cheerful version of Mr. West you’ll hear this year, or any year.

 

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